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Showing posts with label member profiles. Show all posts
Showing posts with label member profiles. Show all posts

5.06.2011

CAI Member Spotlight: John Francis - Industrial Illustration

To see more of John Francis' work, visit his website:
John Francis Illustration





How long have you been a CAI Member?
JF: Since 1994 I believe, but quite sure there have been lapses.
How did you get started in the illustration field?
JF: My first job out of art school was for Factors Etc. in DE as an illustrator for licensed graphic t-shirt designs. Began freelancing a few years later.

How did you find your style? Has it changed since you started?
JF: Tight airbrush art was my first love, then combining line / sketch with realistic focus, which became the style most interesting and familiar. The digital era proved to be an interesting transition..."I can change the background color without redoing it ?"



What is your process when working with clients? Can you run us through a typical job?
JF: 1.) Purchase Order is important as all parties are agreed on terms before work begins - cost, usage, timing, etc. 2.) Reference and usually a couple rounds of sketches. 3.) Final art...on time of course ! 4.) After a good breather, send that invoice !

What is your creation process (start with sketches, etc.)?

JF: A layout from the client and reference material is usually handy when doing an ad, but many times just get the copy. A sketch or two for approval before going to final art. Often, I'll photograph my own reference.

How do you market/promote your work?

JF: Artist websites mainly: Theispot, Workbook Online, and Directory of Illustration. Direct mail when time allows, or sending promo sheets to specific agencies or publishers. Soon, as many others do, I plan to have a monthly e-mail campaign in action. Need to update my own site in a big way !



What was one of your favorite assignments?
JF: Now that's a tough one, could be Rollerblade, Timberland, Kellogg's but doing futuristic conceptional art in a feature for Scuba Magazine was a blast. I must say though, that I'm very excited about an ad series for MonoSol, LLC currently in the works...they haven't approved my concept drawing for Isaac Newton, but I've gone to final and can't stop !...The series is about partnerships in innovation...Jacques Cousteau is the next subject in the series....so cool, and might just become my favorite !

What is the best part about what you do?

JF: It's always a personal boost when I land a particularly sweet project, clicking with an art director, good budget and a new portfolio piece. Most freelancers may agree that they enjoy a level of freedom as well.

Describe your work setting.
JF: So grateful am I for my workspace !
I lease an office on the top floor/ roof in the heart of Lodo. Though often working solo, there's always plenty going on.

Do you have side projects you work on?
JF: Yes, after years of technical and commercial work, I have started painting on canvas when possible, and wish to incorporate into my options eventually. The Vivaldi Violin at the last High Five Show was commissioned, but my first time on canvas in over 20 years...what fun !




How do you maintain balance in your life between work and play?

JF: Excellent question, Play first ! Actually, play is more fun when the work is done...and helps avoid all nighters. Though I keep time sheets, as a freelancer it's hard to "punch out" so to speak. I played a lot of co-ed softball this summer as a balance promoter...didn't win any tournaments, but the social benefits were highly worthwhile.

Do you ever have creative slumps? What do you do then?
JF: There are definitely times when I feel more creative than others, and when I find myself in a "tunnel vision" concerning a particular project, I'll look for others images (artists of all categories ) books or on-line. To break out of it, take a bike ride or go work out for an hour to clear any clutter. Some breakthroughs have come unexpectedly while in quite contemplation in a different place...changing your approach in an open positive state. Visit another creative and ask what they think.




What do you do for fun/when you're not working?

JF: Enjoy skiing when the snow falls, but excited about a week in Oahu...leaving next Tuesday !...I miss big water.

What has been inspiring you lately?

JF: Those past and present with a concept or an idea, then act on it with a flight plan to fruition.

Any advice for others who are pursuing creative goals?

JF: Working in a creative atmosphere such as an ad agency / art department for 5 years will teach one so much before entering the freelance world...I think I entered it a bit too green, and the lessons were painful at times. Plan your "Balance" of work, fun and family.

3.29.2009

Spotlight on Cherish's Blog

Interview with Colorado Alliance of Illustrators Vice President, Cherish Flieder by SCBWI writer Jennifer Bertman for Society of Children’s Book Writer’s and Illustrators Rocky Mountain Chapter newsletter, Kite Tales.

Why did you decide to start a blog?
The more I learn and experience in life, the more I want to share my findings with others. I found myself retelling the same stories and sharing the resources repeatedly to other illustrators, writers, family, and friends. I began to think that keeping a blog would be a more effective way to share my messages and updates. I took a few classes on blogging and that helped spur me on to further action.

I first started blogging for the Colorado Alliance of Illustrators as their Secretary and Vice President (www.AllianceOfIllustrators.BlogSpot.com). This gave me the experience and confidence I needed to start my own blog about my art and related interests.

My blog at www.SomethingToCherish.com is woven into the structure of my website that promotes my illustration style. I use WordPress to easily manage and update my blog, but it actually started in www.Blogger.com which is very easy to use if you are new to blogging.

Why is blogging important to you?
Blogging is my way of connecting with others and chronicling events and resources that I don’t want to forget. I know that by sharing this information I can help and encourage others. Blogging also gives my work exposure to a world-wide audience that I would not get with a static website on its own. I have met so many incredible people through blogging and have found an audience for my art that I never knew existed before.

Advice or tips to share about blogging?
The most important thing about blogging is that you tie your blog post articles into who you are and what you do. Blogs have incredible power behind them to promote you and connect you with the search engines using RSS (Real Simple Syndication). For example, my blog is focused on illustration, publishing, and art licensing. So, when I decide what I want to post, I think of things that relate to all or any of the above.

There is also a very personal element to blogging and even more so for artists and authors that blog. People who read your blog want to know about your expertise, but also about who you are as an individual. It is highly recommended to have an actual picture of your face on the blog or at least on your website somewhere. Occasionally, you will see artists and writers post personal blog posts about the kids, the cat, the summer vacation etc. When you blog about personal events, you help readers to feel more connected to you on a personal level. However, it is important to balance out your posts. It probably isn’t a good idea to post much in any single area that might detract from the main purpose of your blog. If your goal is to share your expertise in writing or illustrating children’s books, you need to make most of your posts revolve around that purpose.

“What do I write about on my blog?”
This is the number one question any new blogger has hanging in front of them as they stare into that blank screen. It was overwhelming to me at first too, but now I have so many ideas on what I want to post there is no want of new material, just time to simply write it out.

Here are some ideas for blog posts:

  • New artwork or articles
  • Classes or teleseminars you are teaching
  • New videos, podcasts or e-books
  • New partnerships, volunteer efforts, organizations and charities with which you participate
  • Special events you are hosting, promoting, you attended or you are sponsoring
  • New book or product releases
  • New services you offer or new details on current services
  • Contests in which you are participating or want to organize and award
  • Polls or surveys you are conducting
  • Your stand on a controversial topic (i.e. Orphan Works)
  • Local angle to a national story
  • Current holidays and national day/week/month celebrations (See www.Chases.com for a complete list.)
  • Share helpful tips and resources
  • And the list goes on and on . . .

I keep a little notebook/folder with my ideas for future blogs before they even make it to the web. If you start brainstorming a list for yourself first before you even turn your computer on you will have much more focus and success with your blog.

“How often do I need to publish new posts?
This is another commonly asked question. However, the answer is really left up to you. Just remember that once you start a blog you need to add posts regularly. It does not positively promote you if your last blog post is several months or several years old! I try to post new material to my blog about one a week with the minimum being once a month. I just pick a day of the week, Wednesday in my case, to do all my online marketing updates and use it as a reminder to post something new on my blog.

My last piece of advice for all bloggers out there is to make sure that your contact information is easily accessible from any page of your blog. Also, don’t forget to add a link back to your main website, where people can learn more about you and your work. You are missing out on valuable correspondence if you don’t put it out there.

Favorite blogs?
I subscribe to over 100 blogs on many different subjects. Here are a few blogs that I can always count on to be full of ideas and inspiration:

When I meet a new artist I like or an organization with whom I want to keep in touch, I subscribe to their blog using my RSS reader. I use Google Reader, but there are many others out there for you to explore. Subscribing to an RSS is great. It doesn’t clog my inbox and I can pull it up all in one place to catch up on my reading. I also recommend subscribing to your own blog to make sure that the RSS is working properly. I like to use www.FeedBurner.com to publicize my feeds all over the internet.

About Cherish Flieder:

Cherish Flieder is not only a designer, but an artist in the truest sense of the word, that has skills to help any client with a wide array of graphic, illustrative, and marketing needs. Cherish has been sketching, painting, drawing, and creating little products ever since she was a small child.

Cherish pursues her passion for art and design at the foot of the Rocky Mountains in Golden, Colorado. Her design studio, (Cherished Solutions, llc, and brands Something to Cherish™ and Painting for Life™), works with publishers, manufacturers, and other niche businesses to achieve their goals in the marketplace by creating designs and illustrations and pairing them with thoughtful marketing objectives. Cherish works on the creation and production of conceptual and cohesive licensing collections, product development, books (especially children’s books), packaging, and other marketing materials.

Blog Excerpt:
My most popular post is an article called “Leveraging LinkedIn’s Networking Power” about how to use LinkedIn as a marketing tool. Below is an excerpt. Thank you for your interest in my blog. I hope to connect with you online soon. Happy blogging everyone!

“I’d like to add you to my professional network on LinkedIn.”

You may have been sent an email with this exact request on more than one occasion by a friend or colleague. If you have dismissed this invitation as just another one of those time wasting, friend collecting sites, then you may be at a considerable disadvantage.

So, if it’s that important, what exactly is LinkedIn you ask . . . and that’s a great question!

LinkedIn, found online at www.linkedin.com, is by far the largest and most professional, business-oriented, social media networking site on the World Wide Web. Although it has only been around since 2002, it has over 25 million participants worldwide and grows at the rate of over 130,000 members each week!

LinkedIn is easy to use and opens the doors of opportunity to develop meaningful relationships with key players of the human race, in a new and effective way. The basic concept of how it works beckons back to the theory of “six degrees of separation.” On LinkedIn it will only show you up to three degrees of separation, but that alone will connect you to millions of professionals once you start linking up with other users. Your network will consist of your connections (1st), your connections’ connections (2nd), and then the connections to which they are connected (3rd). This dynamic function will start to make more sense as you begin see it in action.

It’s a good idea to create and maintain a professional LinkedIn profile page if you want:

* a beneficial way to promote your art brand, products, and/or services online

* to meet key players in your areas of expertise

* to discover new business or job opportunities

* to learn about a new industry in which you hope to expand

* to reconnect with colleagues, classmates, and clients

5 Things I Love About LinkedIn

* LinkedIn helps me to “stay in touch” and “touch base” with people that are important to me. Often, we get so busy that we never follow up on important connections and we loose out in the long run. LinkedIn is a superior tool for keeping you cognizant of your important connections and gives you an easy way to contact with them when the time is right.

* LinkedIn gives you a visual reference of your network, helping you readily discover commonalities. You can find someone with a skill you desire. You can post jobs or even apply for them online. When you are looking to join or serve with a new company, you can use LinkedIn to conduct preparatory research. LinkedIn makes it easy to discover which connections you have working with that company or who is associated with it, even before you have your first interview.

* LinkedIn is a great way to learn about any industry. You can see what other people are up to, see how they are promoting themselves and view their notable accomplishments.

* LinkedIn manages my database of connections for me. I don’t have to go and look up an email for anyone that is connected to me or even open up my email composer to send out a message. It gives me an instant connection to their email inbox from their profile page.

* LinkedIn makes it simple for each member to keep their own information current for the benefit of the community. This feature helps users quickly access updated job summaries, aspirations, interests, status, website links, and more.

One last thing about social media sites . . . there are so many of them out there. If you are using them for your business you will need to carefully select the ones that help you best maintain professional connections and ultimately keep your brand in front of your clients. Professionally, I use Plaxo, Facebook, and Twitter, in addition to LinkedIn. MySpace can be good too, if you approach it with a professional touch. But, if you only choose one, I urge you to go with LinkedIn, as it will give you the most professional online presence and effective online networking available.

If you would like to read Cherish’s “10 Tips for Making the Most of Your LinkedIn Profile”, sign up for her e-zine at http://somethingtocherish.com/souvenirs.

3.03.2009

CAI Illustrator, Author and Educator - Patrick Loehr

CAI is privileged to bring to you an interview by "The Visual Storytellers Studio" of Colorado Illustrator, Author and Educator, Patrick Loehr.

Patrick Loehr is a professional artist and educator living and working in the Denver area.

As author and illustrator, he has had two children's picture books published by Katherine Tegen Books, Mucumber McGee and the Half-Eaten Hot Dog, 2007 and Mucumber McGee and the Lunch Lady's Liver, 2008.

Patrick is currently the Chair of the Art Department at The Community College of Aurora in Denver, Colorado.

See more at www.patrickloehr.com and The Visual Storytellers Studio.

Be sure to read Jill Bergman's interview here with Illustrator, Author and Educator, Patrick Loehr.

All images are copyright by Patrick Loehr. Please do not use them without written permission of the artist.

4.30.2008

Cartoonist Ché Rippinger: She finds humor in relationships and everyday life

Our very own CAI president as seen in the Feb. 2008 edition of Denver Women.

Written by SHARON ALMIRALL
Photography by KIT WILLIAMS

She was a cartoonist with Playgirl magazine for six months, the first cartoonist the magazine worked with in its 20 years. “I made it through one and a half editors,” Ché Rippinger says with humor. “Every time a new editor comes in, they need to clear the decks and start over.”

The petite artist, who also writes, worked as a Sunday columnist with the Denver Post, doing both illustration and writing a column, Dating and Hand Grenades. She is now definitely on her own unique path, boldly claiming in one of her cartoons, “Been there, dated that.”

Ché is pronounced Shay, and she says for the record that she is not named after Che Guevara, though she is “her own comic revolutionary tour de force and she is not a guy.” Referring to her niche as “relationship humor,” Ché gleans her material from life and can understand a variety of perspectives. “A lot of people think I’m a single mom because I can write from that perspective, but I’m not,” she says. Working as she does, as both an observer and a participant, Ché says she is not out there simply to observe humor: “I just live, and usually things that annoy me annoy other people too.” She notes that all humor is truth with a twist. The twist part (the humor itself) makes it palatable to hear, “as no one likes to be preached to.”

Nyla WitmoreShe notes that people don’t usually “get that they’re the problem. They don’t recognize themselves.” One of her cartoons shows a person speaking to another and delivering a New Age pickup line, “I like you. You fit my demographic.” When asked what kind of relationships she addresses in her cartoons, Ché says, “I write about all kinds of relationships — romantic, co-worker, boss, parenting — they’re all relationships.” She’s packed a lot of living into her 41 years, having been born the year the song Wild Thing was a No. 1 hit. She studied communications radio, television and film in Illinois and migrated to Colorado more than 20 years ago.

Click here for the full article on Ché Rippinger.


4.01.2008

Aaron McKissen Member Profile

Name: Aaron McKissen
Illustration Website: www.mckissenillustrations.com

How did you get started in the illustration field?
I’ve always drawn since I was about 6 years old. I made the decision to make it a career when I went to college at Metro State College of Denver and Colorado Christian University.

How did you find your style? Has it changed since you started?
I really have several styles, since I have so many things that interest me, from comic book-style to impressionistic painting. Some of my style was found early on in life, by imitating my favorite artists or cartoonists, like Calvin & Hobbes or Marvel comics.

What is your process when working with clients? Can you run us through a typical job?
I will typically do 3 or so rough thumbnail sketches for the client, then when he or she picks the one they like the best, I will move on to color it, either in paint or on the computer in Photoshop. I will usually have my client sign an illustrator’s contract or invoice before beginning the rough sketches.

How do you market/promote your work?
I am still trying to figure marketing out. I have a plethora of work I’ve done for my portfolio, but marketing doesn’t come easy for me. I have been blessed to have a good friend who does web design, who helped me get my website up, and this has gotten me several illustration jobs. Any other work I’ve gotten has been word of mouth, or through friends & family. I would love to attend a CAI seminar on marketing for the artist or illustrator.

What was one of your favorite assignments?
Creating a series of Manga-style characters for an author in Denver. The book should be out soon, to be self-published by him, and is about customer service in the hospitality industry.

What is the best part about what you do?
I would say seeing an idea come to life - from just ideas in my head, or the client’s, to be fleshed out in reality.

Do you have side projects you work on?
I haven’t had the opportunity to work on a children’s book yet, so I am working on some ideas on the side that I think could be great children’s books.

How do you maintain balance in your life between work and play?
It is difficult, but when I’m working on an illustration project, I will make myself take a walk at some point, or get some exercise.

Do you ever have creative slumps? What do you do then?
When I have a creative slump, I tend to contact the other artists I know, or look at their websites & be inspired by them. I also try to do what Julia Cameron recommends in “The Artist’s Way”, which is to take yourself out on an “Artist Date”, where you see something you haven’t seen before, be it a museum, gallery, craft store, zoo, or anywhere you haven’t been and let yourself be inspired by it.

What has been inspiring you lately?
I sometimes do storyboards for local films, so one of my recent inspirations is all the digital technology & special effects being done for movies these days. I have a lot of catching up to do in computer technology.

Any advice for others who are pursuing creative goals?
I am still relatively new at it myself, but maybe some advice is that in creativity (like other areas of life) it just needs to become a daily habit that you do. Keep at it on a regular schedule and you will find yourself improving your skills.

3.05.2008

Beatrice Trezevant Member Profile

Name: Beatrice Trezevant
Illustration Website: www.beatricetrezevant.com

How did you get started in the illustration field?
My career started with obtaining a degree in textile design form Canterbury College of Art and spending two years as an in house artist at Hallmark Cards in Kansas City.

How did you find your style? Has it changed since you started?
I have always worked in this simple, decorative and playful style, but over the years I have refined my technique and learned how to illustrate for specific products. In recent years manufacturers of baby and juvenile products have particularly enjoyed my work. I am happy with this development as I truly love designing for children.

What is your process when working with clients? Can you run us through a typical job?
I usually start with a sketch, at this point I trust my instincts and go with the flow; my clients are generally content with a good drawing as they know that color in my strong point. They may also have given me some indication of the color direction. After approval the fun starts, when I put the final art together; as I often work with fabric illustration, this is the hands on part that is the most enjoyable to me. When the art is completed I have it packaged and shipped as most of the companies I do business with are out of state.

What is your creation process (start with sketches, etc.)?
Creating is a strange animal; sometimes I will have a brilliant idea while driving, sitting on a chair lift, meditating, and at other times I get cerebral about it, but I try in the end to come up with a fresh looking design.

How do you market/promote your work?
I market in several ways, by attending and exhibiting at trade shows, sending mailings and networking as much as possible. I have found that meeting prospective clients is the most successful way to get people to commit. Building and nurturing these relationships is really important.

What is the best part about what you do?
Living life on my terms is what keeps me going during the difficult times when deadlines are tight. I like being a business owner and having the freedom to ski during the week!

Describe your work setting.
My studio is in my Victorian cottage; as I live there also, I sometimes sneak out to do a little gardening in the summer.

How do you maintain balance in your life between work and play?
Although I work hard and am very dedicated to my craft I make sure that I find enough time to enjoy the great outdoors; this also helps me stay creative.

Do you ever have creative slumps? What do you do then?
If I feel a little stale it means that I have lost my center, and I have used many ways to come back to my true nature.

What do you do for fun/when you're not working?
Thank goodness for sports! I get out on a regular basis to sail, ski, play tennis and hike... great way to clear ones head; I have recently discovered contra dancing...

What has been inspiring you lately?
People who give to others inspire me, this year I would like to paint a mural in a children's hospital.

Any advice for others who are pursuing creative goals?
In today's art world I would have fantastic digital skills come up with clever ways to market.

2.04.2008

CAI member Gwenda Kaczor - FRESH art in commarts

Denver Illustrator Gwenda Kaczor and CAI member featured with Communication Arts Magazine & Website

Check out Gwenda's spread in the January '08 issue of Communication Arts.

http://www.commarts.com/fresh/gwenda-kaczor.html

Congratulations Gwenda! (www.gwenda.com)

11.26.2007

Stan Yan Member Profile

Name: Stan Yan
Illustration Website: www.squidworks.com/Stan

How did you get started in the illustration field?
I've just always been drawing, since I was a small child. I first became interested in comic illustration when I took a comic art class through Colorado Free Univesity from Squid Works co-founder, T. Motley in 1987, who assigned the project to illustrate a comic short story, the first one I ever drew. I never considered drawing for a living, but continued to draw self-published comic stories until getting laid off from the financial industry twice in three years, at which time I decided to actively market myself as a freelance illustrator. Fortunately, my work has been warmly received and my thirteen years in a sales profession has helped me market myself immensely.

How did you find your style? Has it changed since you started?
My style has always been cartoony due to need for immediate self-gratification -- it's just been faster. As I've begun freelancing, my art style has evolved and become adaptable. So, although my work is still very cartoony in nature, many of my portfolio items I feel have more appeal to publishers and industries that may not have considered hiring me before.

What is your process when working with clients? Can you run us through a typical job?
Typically, I'll try to get a good feel for the client's needs. Once that is clear, I'll draft up a contract and require a retainer for no less than 25% of the complete contract value. Progress payments are made upon completion of studies which are delivered to the client via e-mail as low-res image files. Final payments are made upon completion and approval of final work and delivery of high-res image files via e-mail, ftp upload or via mail by CD. If the clients needs may go beyond the original project, I may offer to add exercisable options into the contract if I'm happy with our initial negotiated pay rate.

What is your creation process (start with sketches, etc.)?
I don't often show clients pencils, since I feel my pencils are too rough, so I like to show them inked linework prior to proceeding to greytone or color my work. I color and do revisions via lightbox and Photoshop to keep my process quick to fulfill deadlines and keep my clients happy.

How do you market/promote your work?
I use iFreelance.com, have my website, go to comic conventions around the country and locally, I visit comic job websites and messageboards, and certainly word-of-mouth helps as well.

What was one of your favorite assignments?
Illustrating a 4-issue comic book mini-series for Ape Entertainment called, "SubCulture" has definitely been a high point for me. It didn't pay a ton, but it was definitely great fun, as a slice-of-life story that was completely hilarious -- right up my alley!

What is the best part about what you do?
Doing what I love and making a living doing it -- what could be better?

Describe your work setting.
My killer morning commute takes me from my bedroom into my dining room each morning. That's where the magic happens. Well, I also do much of my work on the computer, so that's in one of our guest rooms.

Do you have side projects you work on?
More than I can count. As a comic creator, I figure if I hit it big, it'll need to be for something I own the property to, so I'm currently writing and coloring a post-apocalyptic car adventure called, REVVVelations. I'm also planning to launch an alternative weekly comic based on my self-published graphic novel series, The Wang.

How do you maintain balance in your life between work and play?
When work is so much like play, it IS difficult. I DO set aside time for date night each week with my wife, and I'm trying to keep in shape by working out several times a week at the Community Center, where I engage in pick-up basketball and lift weights.

Do you ever have creative slumps? What do you do then?
I can't say that I ever have. I always have too much work going on, so if I'm having brain block on one project, I just move to another.

What do you do for fun/when you're not working?
Basketball, swing dance, movies.

What has been inspiring you lately?
A recent vacation to Hawaii has given me a lot of inspirational story material.

Any advice for others who are pursuing creative goals?
Your best road to success is to have a passion and love what you do. If you'd do it for free or pay to do it, then nothing will stop you from pursuing this as a career -- even your inability to make money at it ;)

11.10.2007

Danlyn Iantorno Member Profile

Name: Danlyn Iantorno

Illustration Website: www.Danlyn.info and www.PaintedOlive.com

How did you get started in the illustration field?

My move to illustration came after years of suppression in graphic arts. I knew I could draw but never believed I could make a living at it.

How did you find your style? Has it changed since you started?

I illustrate in several styles depending on the market I am selling to. With realism I struggle to include a bit of my soul in my work, resulting in constant change.

What is your process when working with clients? Can you run us through a typical job?

I only work via email and try to always use my own contract. When possible I like to control the production schedule allowing double time for the proofing process – the client is always slower than they expect.

What is your creation process (start with sketches, etc.)?

Research is done almost 100% on-line with additional digital photos taken as needed. Sketches are done in Photoshop using a Wacom tablet and pen. Elements are all drawn on separate layers to facilitate easy edits to the layout. Digital proofs are emailed. Final art is drawn in colored pencil and finished in Photoshop by assembling elements, adjusting color intensity and adding lighting layers. Final art is a high resolution digital file, which is posted on my FTP site.

How do you market/promote your work?

I am very active in industry organizations and try to use industry certification to supplement my resume. I use three web sites, exhibit at trade shows and send regular mailings. Sharing knowledge on discussion boards and teaching seminars also circulates my name in various fields.

What was one of your favorite assignments?

Not sure I’ve had it yet.

What is the best part about what you do?

My dog gets to be my office assistant.

Describe your work setting.

Home studio with large windows, plenty of light, big tables, two computers, two printers, a scanner, drafting table, exercise bike and a big foot-stool for my canine office assistant.